To visit The Performance Critic, please click here or copy and post the following link into your browser: http://www.leejamesbroadwood.com/tpc The Theatre Reviewer, now called The Performance Critic, has a new home on my website. For this reason, this specific site now serves only to redirect readers and will eventually be discontinued. Review requests are still... Continue Reading →
[Review:] ASCENT, Museum of Comedy, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc NB: Lucy Loughnane both co-wrote and performs in this semi-autobiographical play. The character she has written is also called Lucy. To distinguish these three, mentions of ‘Lucy’ will... Continue Reading →
[Review:] I HEART MICHAEL BALL, Etcetera Theatre, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc Readers should note that the solo performer of this play shares his name with the main character. Therefore, to distinguish the two, mentions of ‘Alex’ will refer to... Continue Reading →
[Review:] THE WASP, The Hen & Chickens Theatre, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc This is a truly excellent play, wonderfully written by Morgan Lloyd Malcolm, and expertly cast, with direction by Wendy Bollard. Comedy is instrumentalised well in the former portion... Continue Reading →
[Review:] COLLOQUIUM, The Hen & Chickens Theatre, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc This performance has seen quite a drastic transformation since I was asked to review it back in 2021, and it is always a pleasure to see how artists... Continue Reading →
[Review:] INVISIBLE, Bush Theatre, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc We are presented with a pretty and clean set design (by Georgia Wilmot) as we enter the house, but its relevance to the performance remains entirely questionable, from... Continue Reading →
[Review:] PROUD 2 BE HERE, Phoenix Arts Club, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc I found these creatives and their work to be most endearing, and their purpose and incentive honourable. Personally, I had a pleasant evening watching them perform. However, my... Continue Reading →
[Review:] METAMORPHOSIS, Lyric Theatre, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc NB: The onstage persona of solo performer Maria Caruso will be referenced in this review as ‘Maria’; any mentions of ‘Maria Caruso’, or simply ‘Caruso’, refer to the... Continue Reading →
[Review:] BLISS, Etcetera Theatre, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc This review will consider Bliss, a play written by Phoebe Mills, directed by Léoni Hughes, and currently being staged at the Etcetera Theatre. This is an excellent performance,... Continue Reading →
[Review:] HACKNEY WICK WRESTLING, Colour Factory, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc This review will consider Hackney Wick Wrestling, a show presented by independent wrestling school and promotion Hustle Wrestling, taking place for one night only at the Colour Factory.... Continue Reading →
[Review:] UNTITLED SPARKLY VAMPIRE PLAY, Omnibus Theatre, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc I must, unfortunately, start this review by detailing some negative initial impressions walking into the house, somewhat immortalised by subsequent happenings. As I entered the house, two members... Continue Reading →
[Review:] 24, 23, 22, Omnibus Theatre, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc This is certainly a captivating and thought- provoking performance, tackling well its themes of responsibility, pressure, self-depreciation, unrequited love and mental illness. A most articulate and profound piece... Continue Reading →