Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc Written by Daniel Swift and directed by Belle Streeton, Winter Wonderland is a multisensory immersive online performance intended for audiences with PMLD. I shall start by assessing the... Continue Reading →
[Review:] NATTERS OF LIFE & DEATH (online).
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc To view this performance for free, click here. Natters of Life & Death is a charming short one-woman play written and performed by Ann Hirst and directed by... Continue Reading →
[Review:] LOVE IN THE TIME OF CORONA (online).
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc To watch this virtual performance, available now online, click here. Love in the Time of Corona has potential to be a lot stronger and more engaging, but I... Continue Reading →
[Review:] DANCE OF A MILLION PIECES (online).
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc This virtual performance is part of the Living Records Festival and is available online now. To watch it, click here. Dance of a Million Pieces engages with philosophical... Continue Reading →
Notes on Reviews During the Pandemic…
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc For reviews published during the pandemic, it should be noted [that]: I will not be travelling to physical sites to review theatre and performances until the pandemic is... Continue Reading →
Requesting Reviews During the Pandemic
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc For information on how to request a critical analysis of your London-based performance, please visit The Performance Critic's new homepage: http://www.leejamesbroadwood.com/tpc Also, make sure you’re following The Performance... Continue Reading →
The Theatre Reviewer Is Finally BACK!
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc After a pandemic-driven hiatus, The Theatre Reviewer is finally BACK to review all performance types across the UK! To request a review for your performance, please send a... Continue Reading →
[Review:] BURIED; GRACELAND; NUCLEAR WAR, Old Red Lion Theatre, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc The three performances considered in this review, Nuclear War, Buried, and Graceland, are currently performing alongside one another as part of a so-called triptych at the Old Red... Continue Reading →
[Review:] THE DIRTY THIRTY: INTERNATIONAL WOMXN’S DAY, Rosemary Branch Theatre, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc Degenerate Fox perform The Dirty Thirty, a compilation of thirty micro-plays, weekly at the Rosemary Branch Theatre. No two performances are ever the same, as this compilation is... Continue Reading →
[Review:] V&V, The Vaults Studio, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc This review will consider V&V, written and directed by Misha Pinnington and currently performing at The Vaults Studio, London, as part of The VAULT Festival. I have mixed... Continue Reading →
[Review:] BEIGE, The Vaults Studio, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc Written by Anna Wheatley and directed by Jessica Daniels, Beige is a most heartwarming and cogent performance, representing the queer experience, for the most part, with clarity and... Continue Reading →
[Review:] FRILLS AND SPILLS, Camden People’s Theatre, London.
Please be aware that this site, now called The Performance Critic, has a new home on my website, via which all reviews will now be published: http://www.leejamesbroadwood.com/tpc I have seen theatre quite literally every day for many years, and I can honestly say that this is one of the best performances — if not the... Continue Reading →