The Town Mouse and the Country Mouse!

This review is now available! Click here to view it. A review is on the way for the Puppet Theatre Barge's The Town Mouse and the Country Mouse! To buy your tickets for this performance, head over to: Also, make sure you're following The Theatre Reviewer on Twitter to keep up-to-date with posts and... Continue Reading →


[Review:] THE ENEMIES, The Bread and Roses Theatre, London.

A hurried, nervous and excitable duo, Jonathan Parr and Eleanor Neylon (playing characters of the same name*) welcome the audience into the Bread and Roses Theatre, ushering them to their seats and providing wine in plastic cups. Upon a bench covered in blue plastic wrap, a disinterested and casual Laura Vivio. She leafs through a... Continue Reading →

[Review:] 4.48 PSYCHOSIS, New Diorama Theatre, London.

Imprisoned behind glass, they stare forward. A mind-numbing whirring. A sudden eruption of sound, a flash of light, and they seem to glitch, extending their arms for help, strangling themselves. They sway. Deafinitely Theatre opens its current production, an adaptation of Sarah Kane's 4.48 Psychosis, with a horrifying and resolute visual, complete with stroboscopic lighting,... Continue Reading →

Exit the King!

A review is on the way for Patrick Marber's adaptation of Eugène Ionesco's Exit the King which was recently performed at the National Theatre! Make sure you're following The Theatre Reviewer on Twitter to keep up-to-date with posts and reviews: @T_Reviewer

Upcoming Content!

A new page will soon be added to The Theatre Reviewer's site: Practitioners. On this page, new entries will detail the basis of the works of established, renowned and influential theatre practitioners. These will be published on a (bi-/)monthly basis and will serve as a reference point for theatrical movements, critical dramatic theories and creative/political... Continue Reading →

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